When my body was halfway
around the world,
I was at home, fuzzed up in myself—and my
body was getting soft
in a stranger’s mouth.
We walked the streets.
And the lights came on—one
at a time, then all at once.
They spat me out,
and I said
what a feeling
to be a girl
in a city in Europe. It was
all I could think
to say. The stranger
walked faster.
When my body was
halfway around the world, I
watched my phone’s anger
light up its screen. These are signs
a stranger told me. We were
on the second story.
She asked me to remove an article of clothing
and place it in her hand.
The world was bright then.
I could feel myself
multiplying,
falling within a metal
cup. My body was so different back then.
It was important, somehow, to convince
my body to come back to me. At the top
of a hill, at the bottom of a valley, my body
watched the city’s electricity
be harvested
in the sky. These are
signs, a stranger said.
Months later, she
sat in a purple
fluorescent glow and told me
how my body
had crossed
the ocean. She is,
the stranger said, doing her best.
There was nothing
I could do when my body was
halfway around the world.
I looked out a window. My body
was stuck to a bench’s underside.
The city came
and replaced it. The city came
to my apartment. It had an official notice
for my body
to return
by mail.
I told the city I didn’t
know where my body
was when my body was
halfway around the world.
I found what parts my body left
behind—it all devolved into fuzz.
It was important to be a girl
to every stranger in the city.
I was a girl, but my body
walked the streets, busting
the lights that cast the sidewalk
in a fuzzy glow.
What a feeling, I thought,
to be a stranger somewhere,
to feel the softness of a city light up
like a cigarette. I was a romantic,
and my body was halfway around the world.
We walked the streets—somewhere
synth music droned its harvest
of circuitry, somewhere
my body became a fuzzy patch,
like a memory somewhere
I chose not to disclose to a stranger.

Rivka Clifton
Rivka Clifton is the transfemme author of Muzzle (JackLeg Press) as well as chapbooks MOT and Agape (from Osmanthus Press). She has work in: Pleiades, Guernica, Black Warrior Review, Colorado Review, and other magazines.