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My Body is Around

 
When my body was halfway

around the world,

 
I was at home, fuzzed up in myself—and my

 
body was getting soft

in a stranger’s mouth.

We walked the streets.

 
And the lights came on—one

at a time, then all at once.

 
They spat me out,

and I said

what a feeling

 

to be a girl

in a city in Europe. It was

 
all I could think
to say. The stranger
walked faster.

 

When my body was

 
halfway around the world, I

watched my phone’s anger

 
light up its screen. These are signs

 
a stranger told me. We were

on the second story.

 

She asked me to remove an article of clothing

 
and place it in her hand.

The world was bright then.

 
I could feel myself

multiplying,

falling within a metal

 
cup. My body was so different back then.

 
It was important, somehow, to convince

 
my body to come back to me. At the top

 
of a hill, at the bottom of a valley, my body

 
watched the city’s electricity

be harvested

 
in the sky. These are

signs, a stranger said.

Months later, she

 

sat in a purple

fluorescent glow and told me

 
how my body

had crossed

the ocean. She is,

 
the stranger said, doing her best.

There was nothing

 
I could do when my body was

halfway around the world.

 
I looked out a window. My body

was stuck to a bench’s underside.

 

The city came

and replaced it. The city came

 
to my apartment. It had an official notice

 
for my body

to return

by mail.

 
I told the city I didn’t

know where my body

 
was when my body was

halfway around the world.

 
I found what parts my body left

behind—it all devolved into fuzz.

 

It was important to be a girl

 

to every stranger in the city.

I was a girl, but my body

 
walked the streets, busting

the lights that cast the sidewalk

 
in a fuzzy glow.

What a feeling, I thought,

to be a stranger somewhere,

 
to feel the softness of a city light up

like a cigarette. I was a romantic,

 
and my body was halfway around the world.

 
We walked the streets—somewhere

synth music droned its harvest

 
of circuitry, somewhere

my body became a fuzzy patch,

 

like a memory somewhere

 
I chose not to disclose to a stranger.
 
 

Rivka Clifton

Rivka Clifton is the transfemme author of Muzzle (JackLeg Press) as well as chapbooks MOT and Agape (from Osmanthus Press). She has work in: Pleiades, Guernica, Black Warrior Review, Colorado Review, and other magazines.

About

Rivka Clifton is the transfemme author of Muzzle (JackLeg Press) as well as chapbooks MOT and Agape (from Osmanthus Press). She has work in: Pleiades, Guernica, Black Warrior Review, Colorado Review, and other magazines.