I was told the best rituals 
are cast by children
inside covert forts, hedges
carved out by older 
siblings or the wolf-man from 
a nightmare in the nineteenth 
century. In their spaghetti jars: 
ghosts, not June bugs or ladybirds or 
unreasonable expectations 
to be happy. Some children are not 
happy. Some rake their own
backs with pinion
pinecones & play possum 
under their father’s duvet & 
some make potent teas—
concocted potion of molecules— 
rage wrapped in devotion & 
some keep diaries on how to trap 
light, rituals that sever 
the head of anyone 
who grows up without 
healing their wounds.
 
 

Shannon Hardwick
Shannon Elizabeth Hardwick's work has appeared, or is forthcoming, in Gulf Coast Journal, Salamander, South Dakota Review, Plume Poetry Journal, The Texas Observer, Four Way Review, The Missouri Review, Sixth Finch, and Passages North, among others.

		
        